ARTISTS

L’Amorosa Caccia is an early music ensemble based in Geneva, founded in 2015 by harpsichordist and organist Fabio Antonio Falcone. The group specializes in 16th-century Italian repertoire, focusing on frottole and madrigals. Drawing inspiration from the 1588 Venetian anthology of madrigals by Italian composers, the ensemble brings together musicians from all Europe united by a shared passion for rediscovering and performing works from the Renaissance period.

Enthralled by singing since early childhood, Stefano Aresi revealed a distinctive musical taste early on: at the age of eight, as a choirboy, he adored Vivaldi and Palestrina but steadfastly refused to sing Perosi. He later pursued an academic career devoted to music philology, performance practice, and the history of singing. In 2009, he founded Stile Galante with the aim of reviving neglected Italian vocal treasures of the eighteenth century—while steering clear, whenever possible, of the countertenor plague.

One of the most sought after baritones in the field of Baroque repertoire, Mauro has collaborated with conductors such as Jordi Savall, Giovanni Antonini, Ottavio Dantone, Federico Maria Sardelli, Rinaldo Alessandrini. Renowned for his Monteverdi, he has performed the title role in L’Orfeo and Il Ritorno di Ulisse in patria in many European theaters. His Testo in Il Combattimento di Tancredi e Clorinda received enthusiast prises from audience and cristics.

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In our catalogue:

Antonio Farina, Venere e Marte GL002

Giuseppina Bridelli is an Italian mezzo-soprano with a voice of sensual warmth and striking versatility. Her natural ease across styles has made her a vivid presence in both baroque and classical repertoire. She works regularly with Leonardo García Alarcón, Christina Pluhar, Ottavio Dantone, and Fabio Biondi, exploring music that moves from Monteverdi’s intimacy to Rossini’s theatrical brilliance. Every phrase she sings carries a sense of freedom and precision, revealing an artist who combines instinct, elegance, and a deep joy in sound itself.

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In our catalogue:

Paolo Rolli, Canzonette (1727) GL001 

Fresh and driving rhythms of traditional folk music combined with the eloquence and sound of baroque instruments, blended in original and kaleidoscopic arrangements: these are the trademarks of the international ensemble Brú. The group, flexible in format, has shared its programmes with audiences at several European festivals. Its members are all active and well-known players in the European early music scene, united by a common passion for folk
music and other non-classical genres.

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In our catalogue:

Sjugande Danser: Singing Dances from the North GL003 

Possessing a velvety lower register  and charismatic stage presence, contralto Chiara Brunello performed a wide range of roles, spanning from early 17th-century to contemporary repertoire, in opera, sacred, and chamber music at venues such as Teatro La Fenice, Het Concertgebouw, and the Bayreuth Baroque Festival.

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In our catalogue:

Paolo Rolli, Canzonette (1727) GL001 

Francesca Cassinari has long been active in the field of Renaissance and early Baroque music. She sings with La Compagnia del Madrigale, La Fonte Musica, Concerto Italiano, L'Amorosa Caccia, and La Venexiana, collaborating on numerous recordings and concert projects across Europe. With Stile Galante she extends her repertoire throughout the eighteenth century, combining historical awareness with vivid musical character. Her voice, distinguished by elegance and clarity, brings a rare balance of precision and virtuosity.

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In our catalogue:

Paolo Rolli, Canzonette (1727) GL001 

Italian mezzo-soprano Marina De Liso combines a warm and agile voice with rare theatricality. She performed with Europa Galante, Accademia Bizantina, Stile Galante, Il Giardino Armonico, La Cetra, and La Fenice. Her repertoire spans baroque and classical works, and she is equally at home in intimate chamber settings and full-scale opera productions.

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In our catalogue:

Paolo Rolli, Canzonette (1727) GL001 

Fabio Antonio Falcone is a passionate performer with a focus on Renaissance music. He is the artistic director of L’Amorosa Caccia. His recordings have been acclaimed on BBC, Radio RAI, Radio France, and BR-Klassik, winning the Preis der deutschen Schallplattenkritik. He combines performance with academic research in music education. ​

Andrea has performed as soloist, conductor, and continuo player in some of Europe's most important venues with various ensembles, including Ensemble Odyssee, Stile Galante, Nederlandse Bachvereniging, Concerto Köln and many others. He has recorded several CDs for Fuga Libera, Pan Classics, and Glossa. In 2010 he founded his own group, Ensemble Odyssee, together with recorder player Anna Stegmann with whom he performs regularly. ​ Since October 2010 he teaches musical philology at the Conservatorium van Amsterdam.

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In our catalogue:

Paolo Rolli, Canzonette (1727) GL001 

Ann is a celebrated Swedish mezzo-soprano whose career spans major opera houses and festivals across Europe and North America. She performed with the main Baroque ensembles and appears regularly with the most acclaimed orchestras and conductors, being in demand for roles from Monteverdi and Handel through Rossini and beyond. Her voice is recognised for its elegant timbre and poised dramatic presence, bringing depth and refinement to a repertoire spanning from baroque chamber works to large-scale symphonic repertoire. Her technical background and knowledge of performance practice issues make her a specially shining star in our catalogue. 

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In our catalogue:

Paolo Rolli, Canzonette (1727) GL001 

Valeria is a soprano with a passionate presence and a voice of remarkable technical strength. Her singing reflects the intensity of her southern roots, and she excels in Italian repertoire of the seventeenth and eighteenth centuries. She has performed leading roles at the Théâtre des Champs‑Elysées, at Teatro La Fenice, and at Teatro del Maggio Musicale Fiorentino. A frequent collaborator with Stile Galante, she has also appeared at renowned festivals including the George Enescu Festival in Bucharest and the Valletta Baroque Festival. 

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In our catalogue:

Paolo Rolli, Canzonette (1727) GL001

Antonio Farina, Venere e Marte GL002 

Born in Sweden with Chilean roots, Luciana Mancini is an increasingly in-demand mezzosoprano with a repertoire ranging from early baroque to contemporary music, including non-classical genres such as traditional folk music from her two cultural nests – Sweden and South America. Known for the intensity of her expressive palette and her stage presence, she regularly performs in major venues all over Europe and overseas.

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In our catalogue:

Sjugande Danser: Singing Dances from the North GL003 ​

Violinist, violist, composer, arranger, Krishna Nagaraja has always approached music from many different directions. The range of his musical endeavours spans from baroque, classical, and contemporary music to the folk traditions of the European Nordic countries. He holds a doctorate in music obtained at the Sibelius Academy in Helsinki, where he is currently an affiliated post-doc artistic researcher.

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In our catalogue:

Sjugande Danser: Singing Dances from the North GL003 ​

Recordings by Luca Quintavalle received multiple awards, including a Diapason d'Or, Gramophone Editor’s Choice, and Opus Klassik. As a soloist on harpsichord and fortepiano, he has performed with ensembles such as Concerto Köln, Harmonie Universelle, the Mozarteum Orchestra, Düsseldorfer Symphoniker, and the Cologne Chamber Orchestra.

Stile Galante is a Dutch-Italian cultural project devoted to Italian music of the 18th century. Stile Galante aims to merge academic research and performance, and focuses on vocal music, devoting  attentions to usually ignored or misunderstood repertoire. Wishing to bring back to the audience pages of rare beauty, we hope to inspire our audience to get continually in touch with musical languages and taste today usually forcibly adapted to unhistorical expectations.

Trained at the Conservatorio di Palermo, the Schola Cantorum Basiliensis, and the Conservatorium van Amsterdam, Anastasia does not put limits to her repertoire: from Renaissance and Baroque to Puccini and contemporary works. She has  with conductors such as Christoph Rousset, Rinaldo Alessandrini, and René Jacobs.

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In our catalogue:

Paolo Rolli, Canzonette (1727) GL001